
"Atari Boonies"

The feeling hit you-- up that winding hill, this rocky, twisting road-- of something akin to the off-putting wonder and terrible strangeness of American life that made you bit queasy yet excited with the possibilities. . . . . like an amphibian/reptile/dragon darting out its tongue and gobbling a fly as a little boy stared on transfixed. This was my aunt's house with my two cousins and. . . . . Uncle Dave. The aunt, in question, was brilliant and rotund-- grinning on like a crocodile while more cosmic descriptions could be written about her husband. An auto accident at the age of 19 had left him with a speech impediment, if not other forms of addlement, and years before he had kept coming around the ice cream stand where she worked. Curiously enough, she accepted his offer "to go stepping out" there in her yellow shirt in apron and the rest is lost to family lore.
Because this area was outside the purview of St. Louis county in the gnarled, tangled underbrush of forest that looked like green bumps from the interstate highway, you could light smoke-bombs out in the front gravel and no one was there to stop you. My cousin Tony lived a wooly, alt/skateboard existence with BB guns and punk rock banners and heavy metal magazines and video game/computer hardware in a tangle of wires and old boxes. You had the impression that he could either build a music synthesizer or a rocket launcher-- you weren't quite sure which, not with the bass guitar leaning up against the wall.

In the meantime, you had the impression that the American military was off around the world, fighting anarchy and protecting our glorious way of life, as stirring as a kid laying on his belly and playing with old "Star Wars" figurines on pea green shag carpet as Aunt Jan opened up another bag of hamburger buns for the 4th of July celebration and Dave watched "Dukes of Hazard" reruns.
Or
it's like getting in the beat-up old car and "splurging" at
the local "Six Flags" amusement park, a Texas oil millionaire's answer to
"Disneyland" with several around the country, and licensing lower-rent "Warner
Brothers" cartoon characters for a Stetson-wavin' good time this side of "Smoky
& the Bandit". You're standing in line behind an ornery teenager
sipping a Coke who's wearing a joke t-shirt called
My Cousin Beth sold ice cream there for a summer or two during high school. When she was younger, she was the type of girl into unicorns, fantasy films, and the tragic-yet-goofy predicament of that poor amphibian in that old Atari game, "Frogger", that had to cross the interstate that looked a lot like the local highway in those parts and hop to safety before it was pathetically mowed down by the machinations of fate. There was a certain pathos there, which realized that you could easily be
"that smushed guck" as the all the other actors in the universe continued to mind their own business. And that was the terrible, sickening glory of life. . . . . giving it meaning with the fact that it could be lost and great gains could be had for the adventurous.

Don't ever lose your edge. . . . .


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"You want a-nuther song? Well I ain't plain' one mutherfuckin' note until someone comes up here and puts sum money in my god-damned tip-jar! You know I only came here for one purpose. . . . . to take yor fuckin' cash! Why, I could make more profit puttin' out my meth-head neighbor's asshole and ringin' a bell, hollerin' 'Man for sale! Man for sale!'
. . . . . . . . . . . . . . . . .
(Rheeee of Crickets)
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("I heard that, Missy!")
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